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The opportunity of firing "anagama" kilns using wood as fuel, has brought me in touch with the very basics of the ceramic process. Wood serves not only as the source of heat but minerals in its ash produce variations of surface marks and colors that can be beautiful and dramatic. The clay that's used can be anything from white smooth porcelain to rough, dark brown, heavily grogged stoneware. Pieces can be glazed or unglazed or given an array of different surface treatments. "Anagama" kilns are a long tunnel shaped structure with basically, a firebox at one end and a chimney at the other. Location within the kiln chamber, the amount of firing time, the temperature reached, the type of wood, the atmosphere in the kiln, plus innumerable other elements are all contributing to the success or failure of an objects final outcome. Most firings that I have been involved with take a commitment of a week to 10 days and involve from 8 to 12 people. Each participant is allowed a certain amount of square footage of kiln space. These large "anagama" kilns usually fit 500 to 800 pieces in each firing. In addition to the work of firing the kiln, necessary chores like cutting wood, preparing meals and cleaning up must be managed. It is in the spirit of cooperation and participation as a "family" of potters that we come together and make possible these very special treasures.

For more information or to place an order, call or email
   360-379-8256                     bsaito@olympus.net

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